The Amnesiac
Non-series
Sam
Taylor
Penguin (Trade Paperback)
ISBN-10: 0-14-311340-2 (0143113402)
ISBN-13: 978-0-14-311340-9 (9780143113409)
Publication Date: June 2008
List Price: $14.00
Synopsis (from the publisher): When twenty-nine-year-old James Purdew returns to England from his home in Amsterdam, it is to discover what happened during three earlier years of his life that he cannot recall. What he finds, in an old house with a tragic history, is a nineteenth-century manuscript that begins to seem less and less like a work of fiction—and more like the key to his own lost past.
Review:
Sam Taylor has crafted an unquestionably stylish and imaginative though
somewhat unsatisfactory (maybe unsettling is a better term) novel of a
man's quest to discover several missing years from his past in The Amnesiac.
After breaking his ankle rushing up the stairs of his Amsterdam
apartment, James Purdew has little to do but ponder his present, his
future, and his past. When his girlfriend suddenly leaves him, he
decides to look into his past as a way of helping guide him in the
future. Through the years he has faithfully written a journal, but
three years are locked in a strongbox, the key long lost. In an attempt
to reconstruct that time period, he begins to write his past in reverse
chronological order, beginning with the present. Titling his effort Memoirs of an Amnesiac,
he realizes while writing that in order to be faithful to the facts, he
must return to his native England where he settles into an abandoned
house, offering to renovate it in lieu of paying rent. All is
proceeding well until he discovers a manuscript hidden in the house
titled Confessions of a
Killer, the text of which bears a striking similarity to
his fleeting memory of his missing years. But the manuscript is dated
1893 and couldn't possibly have anything to do with his present or his
past. Or could it?
Taylor unabashedly manipulates the reader through the labyrinth that is
The Amnesiac.
In fact, the word "labyrinth" is used repeatedly in a variety of
contexts, at times to excess, as if repeating the word somehow
reinforces its very state of being. At one point, James muses, "Someone
should write a true-to-life detective story; an existential mystery in
which the answer is not to be found, clear and logical, at the book's
end, but only to be glimpsed, or half-grasped, at various moments
during its narrative; to be sensed throughout, like a nagging tune that
you cannot quite remember, but never defined, never seen whole; to
shift its shape and position and meaning with each passing day; to be
sometimes forgotten completely, other times obsessed over, but never
truly understood; not to be something walked towards but endlessly
around." Better words cannot be written to describe The Amnesiac; it is
all this and more.
One puzzling aspect of the story is the manner in which it is told.
Early on it's made clear that someone is narrating the tale of David's
quest with the narrator occasionally reverting to first person.
Consider this passage: "You may wonder how I can possibly know all
this; how I can see all the quicksilver, gossamer visions that flicker
inside James Purdew's mind, how I can feel every heart-swell and
nerve-twitch in his body. But that, for the moment, must remain my
little secret." Without giving too much away, it isn't much of a secret
and it seems odd that Taylor takes this approach as it does eliminate
much of the potential suspense that might have been generated otherwise.
Though an admirable effort in many ways, in the end (and maybe
especially in the manner in which the story does end), The Amnesiac
doesn't quite deliver on its premise.
Special thanks to Penguin for providing a copy of The Amnesiac for this review.
Review Copyright © 2008 — Hidden Staircase Mystery Books — All Rights Reserved.
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Location(s) referenced: Amsterdam, London.